Aspects of the common implications in time and metric in collective free improvisation in the recorded work: Musicking Shapes.

During the production of Eduardo Lopes’ record Musiking Shapes, several aspects were identified that suggested an unpremeditated collective consciousness in such as metrics and pulse, a work was based on unconventional notation, without any time-related indication. The intention to identify kinetic pulse with common time metric implications. methodology applied involved auditory observation through spectrograms respective transcription musical notation recorded music. When triangulating these data, substantial results communication underlies interpretation this found. It possible prove effective organization what we call Prevalent Sound Events (PSE) are determining factors for typifies discourse, consubstantiating spontaneous moments Vertical Agreement Events, Horizontal Absolute